This summer season, the Los Angeles gallery proprietor Tim Hawkinson made probably the most of his practically Shakespearean historical past of mistaken id by giving the Los Angeles artist Tim Hawkinson a solo present that includes, very a lot on the nostril, a sequence of self-portraits. It culminated within the “first ever Tim Hawkinson look-alike get together”.
Now, after years of being mistaken for one another, the conceptual-minded Los Angeles artists Kim Schoen and Kim Schoenstadt are additionally leaning into the confusion with their first joint gallery present, Schoen/Stadt (3 November-14 December), on the Central Server Works mission house in Venice. Curated by Yann Perreau as a part of the roving programme Right here is Elsewhere, Schoen/Stadt is billed as “the primary solo exhibition in Los Angeles of Rexigenian-Landauer-American artist Kim² Schoen/Stadt”.
Schoen/Stadt, Poster (It is All True), 2024 Picture courtesy of Central Server Works and Right here is Elsewhere Gallery
The present will function posters the Kims have developed collectively, some works they’ve made independently that discover concepts of doubling and a pair of passport images they created with the assistance of synthetic intelligence (AI) so that every {photograph} is a hybrid of them each. The artists, who briefly glided by Kim 1 and Kim 2 earlier than forgetting who was who, titled the passport piece Each Each Neither Neither (2024). All works within the present are attributed to Schoen/Stadt.
The 2 artists acquired to know one another, they relay in a telephone interview the place it is tough at occasions to inform them aside, due to what Schoen calls “hiccups of misidentification”. Schoenstadt, who tends to make drawings and installations (now textiles too) impressed by structure, remembers being congratulated on an exhibition of pictures that she had nothing to do with. Schoen, recognized for photo- and text-based work that exposes systemic (additionally capitalist) absurdity, remembers receiving a contract from the Artist Pension Belief meant for Schoenstadt.They first talked about making work collectively—a poster for an exhibition, if not a whole exhibition—a couple of decade in the past. “We’ve been toying with this concept for a very long time,” says one of many Kims. “Our authentic concept was to do banners up and down Wilshire Boulevard [as if] for a significant museum present.”
“Within the a number of worlds principle of what this present could possibly be, there have been a number of instructions we might go,” says the opposite Kim. However the concept didn’t take off till Tim Hawkinson the gallerist, who exhibited Schoenstadt’s work in August, organised the artist Tim Hawkinson’s extravaganza. “It lit a fireplace beneath my butt,” she says.
Schoen/Stadt, Tetherball for Kippenberger, 2020 Picture courtesy of Central Server Works and Right here is Elsewhere Gallery
As they spoke on the telephone, extra areas of overlap within the Venn diagram that’s their joint id got here into reduction, from their senses of humour (on the dry aspect) to their heights (each are 5ft 8in tall). Each Kims have some German Jewish ancestry. Each had been mentored by giants of conceptual artwork.
“I studied beneath Allan Sekula at CalArts, who was extra of a documentary realist, however my curiosity in language and pictures comes lots from learning beneath him,” says Schoen.
“I by no means did an MFA, however I labored for John Baldessari for 20 years, and that was my graduate college,” says Schoenstadt.
The Kims say they by no means thought of one other exhibition title. “It was all the time Schoen/Stadt,” says Schoenstadt. “It was all the time Schoen/Stadt,” echoes Schoen, “as a result of it was so easy, and embeds each of us in a single.”
“Schoen” means “stunning” in German and “shoe” in Dutch, whereas “stadt” means “metropolis” in German. Or, as Perreau places it: “Stadt is the state of being the place Schoens stay.”
Schoen/Stadt, 3 November-14 December, Central Server Works, at Edwin Chan’s EC3 Studio, Los Angeles
