A beforehand unknown composition by the French painter Paul Cézanne has been found as a part of renovations to his childhood house, Bastide du Jas de Bouffan, in Aix-en-Provence, France. The 12.3-acre property, which was purchased by the artist’s father Louis-Auguste Cézanne in 1859, is being remodeled forward of a programme celebrating the artist and his connection to Aix.
The invention was made in August 2023 within the Grand Salon, the primary residing space in the home. Till that time, solely 9 work had been recognized on this area—all of them painted instantly onto the partitions between 1859 and 1869. After Cézanne and his sisters Rose and Marie bought Bastide du Jas de Bouffant to the Granel-Corsy household in 1899, these works—which embody “Le Baigneur au rocher” (Bather and the Rocks), a composition after Dutch artist Jacob Van Ruysdael—have been transferred to canvases and steadily distributed to establishments such because the Petit Palais and Musée d’Orsay in Paris; the Chrysler Museum of Artwork in Norfolk, US; and the Nakata Museum in Onomichi, Japan. All 9 characteristic in John Rewald’s 1996 catalogue raisonné of Cézanne’s works.
Final August, items of an unknown composition have been discovered beneath layers of wallpaper and plaster. The mural depicts floating pennons, masts, a sky that stretches throughout the higher a part of the wall, and architectural parts working alongside the edges. Cézanne drew inspiration from artists passed by when portray his different panels, and this maritime scene, known as Entrée du port (Entrace to the Port), might have been influenced by Claude-Joseph Vernet or Claude Lorrain. Cézanne is believed to have partially painted over it with the work Jeu de cache-cache (Sport of Disguise & Search) (1864)—a reinterpretation of a scene by Nicolas Lancret—quickly after visiting Paris’s 1863 Salon des Refusés, the exhibition of works rejected by the jury of town’s official Salon. The Granel household is then understood to have lined the remaining edges after they moved in.
A element of the mural, depicting what look like the masts of ships
Picture: © Ville d’Aix-en-Provence / Philippe Biolatto
The invention places into query the order wherein the panels within the Grand Salon are believed to have been painted. It additionally provides town of Aix-en-Provence, which has for a very long time not held a single portray by its native hero, its first Cézanne treasure. The work will quickly be added to the up to date, on-line model of Rewald’s 1996 stock.
Are additional discoveries anticipated? “Now we have checked in all places. We don’t anticipate finding anything,” says Denis Coulagnes, the president of the Société Paul Cézanne affiliation. He’s desperate to see the Jas de Bouffant changed into a analysis centre, with an auditorium and a restaurant, by subsequent yr.
