The South African public sale home Strauss & Co staged a pop-up promoting exhibition in London final month devoted to the work of the mid-Twentieth-century South African artist Alexis Preller (1911-75). Held at Cromwell Place, Alexis Preller: Surreal Discovery (5-10 March) coincided with the artist’s retrospective on the Norval Basis in Cape City (till 25 November), Christie’s Artwork of the Surreal sale in London (7 March) and the centennial yr marking the founding of Surrealism. The present additionally presages extra to come back from the public sale home within the UK capital.
Regardless of the artist’s formative connection to London, his works had by no means been on present there till the opening of Strauss & Co’s exhibition. Born and raised in Pretoria, Preller labored as a clerk earlier than convincing his household to permit him to coach as an artist. He moved to London to review on the Westminster Faculty of Artwork in 1934. After returning to Pretoria, Preller held his first exhibition in 1935, and two years later he continued his formal artwork schooling on the Académie de la Grande Chaumière in Paris. Preller additionally travelled broadly in Europe and Africa, immersing himself within the artwork and tradition of Egypt, historical Greece, the Etruscans, the early Renaissance interval and particularly southern and central Africa—all influences seen in his work.
Whereas Strauss & Co’s press assertion describes Preller as a “lacking Modernist”, the home additionally sees him becoming a extra particular art-historical mould. “Surrealism has been expanded to incorporate an increasing number of artwork and artists from a world context,” says Alastair Meredith, the public sale home’s head of artwork division and senior specialist, referring specifically to the acclaimed exhibition Surrealism Past Borders, which opened on the Metropolitan Museum of Artwork in New York in 2021 earlier than travelling to London’s Tate Trendy in 2022. “We predict Preller is certainly an artist that falls underneath the Surrealist banner. He didn’t establish himself as a Surrealist, however for those who have a look at a few of his works—with floating heads, unusual spikes and eerie shadows—they undoubtedly have Surrealist overtones,” Meredith provides.
The Strauss & Co present included 20 works, 11 of which have been on the market at costs starting from £38,000 to £165,000. The remaining items have been on mortgage from non-public collections in London. One vital portray, Fetish Enthralled (1945), was being publicly displayed for the primary time in nearly 80 years; it was purchased by a diplomat from an exhibition in Pretoria in 1946 and has remained in the identical household assortment ever since. By the second day of the London pop-up, non-public collections in Turin and Pretoria had acquired two works, together with The Lobster (1957).
Strikes on London
Though Strauss & Co’s web site describes the Cromwell Place present as its “first official London non-public sale and mortgage exhibition”, the public sale home has held different sorts of occasions within the metropolis of late. Final yr it opened a small present of sculptures by Sydney Kumalo and Ezrom Legae at The Africa Centre; in 2022 it participated in lectures and occasions surrounding William Kentridge’s solo exhibition on the Royal Academy of Arts. “We intend to try to have no less than one or two promoting exhibitions right here in London yearly, however I don’t suppose now we have any plans for any auctions in London but,” Meredith says.
Nevertheless, he provides, the Preller present “is the beginning of one thing larger” for Strauss & Co within the capital, the place he notes the agency has many consumers. Kate Fellens, the public sale home’s senior enterprise growth specialist, not too long ago relocated to London and “pledges to proceed [Strauss & Co’s] work in higher showcasing artists typically uncared for exterior Africa”, based on the corporate’s web site.
The timing is correct, as the marketplace for African artwork seems resilient. Meredith says Strauss & Co noticed a 2% enhance in annual turnover, to R363.7m ($19.7m), in 2023. In February, the artwork market analysis agency ArtTactic printed findings on Trendy and up to date African artwork displaying the class had registered its second-highest gross sales whole ever in 2023 (behind solely 2022). “Regardless of world financial and geopolitical challenges, the African artwork market solely fell by 8.4% in 2023, in comparison with the final artwork market which noticed a lower of round 18%,” the report states.
“There was some broader financial stress positioned on the artwork market, and we will undoubtedly see the affect of that in South Africa,” says Meredith, including that the nation’s forthcoming common election in Could has elevated the hesitancy and uncertainty within the native artwork market. “However at any time when now we have dealt with top-quality, museum-grade work, the patrons proceed to be there, each non-public collectors in addition to establishments.”
